Ben Affleck

"Ben Affleck Got Robbed"


“Ben Affleck got robbed.” Those are Bradley Cooper’s words, not mine. Though after finally seeing “Argo,” directed by Ben Affleck, I couldn’t agree more. 

The film “Argo” is based on on a true story better known as the “Canadian Caper.” During the 1979 Iran hostage, CIA operative Tony Mendez (played by Ben Affleck) led the rescue of six U.S. dipolmats from Tehran, through the unlikely cover of a film crew. The actual fake film, was called “Argo.” The film follows the process for the CIA in determining the best route to bring our U.S. dipolmats back home, but throughout it’s clear that America was not so much the hero in this story, which seems to be a film trend as of late. Let’s just say, “Thank you Canada.”

After his directorial debut of “Gone Baby Gone” and “The Town”, “Argo” seems to be a new caliber of  direction for Afflect. Clearly, judging from recent award shows, few would differ in opinion. Ben Affleck has won Best Director for “Argo” at nearly every award show this year. Yet upon receiving Best Director for “Critic’s Choice”, the “Golden Globes”, the “Screen Actor’s Guild”, the “Director’s Guild of America” and even last night’s “British Academy and Television Arts Award Show” it seems illogical that the one nomination he would not receive is at the “Academy Awards.” (For those of you out of the loop, think of the Oscar’s as the créme de la créme of film awards, or for those of youplainly not interested, the World Series of film awards.)

"Argo" is as crisp and poignant a story as they come, based on our neglected history, it unravels swiftly and sharply even with some much-needed comic relief amidst truly horrific events. Directors that bring to life the history that we’ve been kept shut from, or components we are simply ignorant to, are to be applauded.This brings up the question, how was it that Kathryn Bigelow was also snubbed from a nomination from the Academy as well? Without diving into some conspiracy theory that I may or may not have ( which I would have so little knowledge of to even convey, let alone make sense trying to post at this time of night) I can’t help but wonder how politics plays into these nominations. How directors, who’s films captured thrilling American events, will show up at the Oscars without so much as a run at Best Director is beyond me. But at the young age that Affleck is at in his directing career, I’m sure the opportunity for a(nother) Academy Award in his lifetime is highly likely. And at the end of the day when the Foreign Film Press, the Screen Actor’s Guild and the British Academy all award you with Best Director of the Year, you’ve got to feel like you’ve done something right, huh? Well Oscar, how ‘bout them apples?

Films To See Now That The Golden Globe Nods Are Out

In a day when a movie ticket costs me twice what it did when I was in high school, and even makes me debate whether or not to skip dinner in lieu of a $12 ticket, I’m a bit pickier about what movies to pay up for. Around this time of year, and February when the Oscars are a month away, I’m all of the sudden on an agenda in my movie watching as well as weekend planning. There are some obvious directors and actors who’s films used to be a shoe-in. You hear their name, you see the movie. Frankly the dough doesn’t roll in as heavy as I’d like it to for me to be so frivolous with my spending (well, for most actors - there’s always an exception.) So now that the Golden Globes nods are out, or now that all the smart films have premiered in time for the nods, I’ve narrowed down my top (film) priorities for the remainder of the year, and in this very specific order….

1. Lincoln


This movie, though having been out for weeks now, clearly has winner screaming all over it. First, Daniel Day Lewis. Second, Steven Spielberg. And thirdly a historic drama with one of the most admired Presidents of all time and you have a match made in screenplay heaven. That, and Daniel Day Lewis can do no wrong.

More than just some iconic actors and historic figures, this film has been years in the making, based of the best-selling book “Team of Rival” by historian and Pulitzer Prize winner Doris Goodwin. Apparently after Spielberg had bought the film rights Lewis was his first pick, though it took 10 years and ultimately a call from Leonardo Dicaprio to get Daniel Day Lewis on board. Even then Lewis requested a year to prepare for the role, reading over 100 books on the life of Lincoln. Do I hear Best Actor of the Year? This may just be the film to sweep house at most award show this year. If anyone knows how to do that it’s Lewis and Spielberg. Together they just might be dynamite.

2. Argo 


Since The Town I’ve been waiting for Ben Affleck’s next film. Many may have felt that the typical Bostonian bad boy falling for the good girl plot (a reason I love previous Affleck/Damon projects - along with their discovery of Shia Lebouff) and a predictable heist scenario was not worthy enough for an Oscar nod. (Say what you want but I loved it.)

Argo, Ben Affleck’s latest creation, loosely based on a CIA’s rescue of U.S. diplomats from Tehran, Iran during the 1979 Iran hostage crisis, has been sparking up Oscar talk since it’s first week out. Promoted as a thriller, this nail-bitter has been reviewed as a dark comedy, typically a perfect marriage in a film, which is inevitable to emerge when casting Bryan Cranston and Alan Arkin. The combination may be just the thrill and release that the Oscars raves over. For me this is a tie with #1.

3. Zero Dark Thirty


Since watching The Debt, Jessica Chastain is just one of those “She’s in it? I’ll see it.” kind of actors. She brings something classic and yet fresh to the screen no matter what kind of film it is. Pair her strikingly glamours presence, whose pretty much pinned down the most character-driven female lead these days, in my opinion, with the dominating female Oscar winning director of The Hurt Locker, whose films seem a far cry from a female-driven film, and a female-driven film you have indeed. And driven well, no doubt. Any who’ve seen Hurt Locker knows that Katheryn Bigelow will give you a ride that’s as unpredictable as it is unformulated, even comparing it to the most recent raw, cutting-edge military dramas in it’s genre.

The film is centered around the ultimate man-hunt, one that feels so fresh to our Nation it may be disconcerting watching it on the big screen. After The Hurt Locker Bigelow’s style is clearly anything but comforting for her viewers. Bigelow has seemed to unveiled something for the audience and they all (the audience) seem to like what they see. Already raved as a “Power house thriller” & “Groundbreaking”, Bigelow’s newest piece of work is a must-see for sure, at least on my list.

4. Les Miserables


It’s considered one of the greatest stories of all time. It’s the longest-running musical in history. It’s a movie that’s already been made. Although Liam Neeson, Geoffery Rush and Claire Daines already have done this film justice, the musical force of this story has yet to be seen on the big screen.

Victor Hugo’s classic novel of the French Revolutionary War and ultimately enduring tale of love and mercy is a story that has withstood the ages. With such a stellar cast ( I may exhaust my any reader by listing it) it is sure to be entertaining whether or not it will meet all the expectations it’s aroused. And unlike most musicals, this is the first to be filmed in real time; that is, the actors are actually singing while filming. It may seem like no big deal but this is no small feat for an actor. It is truly a test of an actors chops and with the immediate nods and nominations, it will certainly, and no doubt already has paved a new path for Broadway and film-making.

5. Django Unchained 


Leonardo Dicaprio in a Quentin Tarantino film. I don’t think there’s anything left to say.